I Was Born At A

Whenever I Arrive On A Real Location, I Have To Move Around And Work Out What The Best Angles Are Going To Be.

The Flower Of My Secret Is Definitely More Based In True Emotions. I Also Wanted To Make Something More Realistic, But Not Naturalistic Or Simple.

Each Actor Is A Very Different Person, And Each One Has To Be Directed Very Differently.

Once We Actually Have The Production Script After Many Rewrites, At That Point Is When I Start To Decide What The Look And Colors Will Be. I Work Like A Painter, Even Though I'm Working In Three Dimensions. I'm Working With Chairs. I'm Working With Walls. But Even Things Like The Floor Or The Walls That People Might Think Are Not Important, They Actually Do Influence The Visual Look Of The Film. These Are Also Things That I Have To Think About.

Cukor Is One Of My Favorite Directors. He Was A Master At Directing Women.