I Wanted To See How

I'm Always Begging People Like James Brooks And Cameron Crowe To Come To Screenings, To See What They Make Of It, And They're Always Ridiculously Helpful. They Also Keep Me Brave Enough To Commit To What I'm Trying To Do. They Can Be Great Cheerleaders For Risk-taking.

There's Something So Scary About Trying Out New Material And Being Completely Comfortable Jumping Into The Abyss With A Comedic Idea.

I Love The Lonely Island. I Wish There Was More Lonely Island Movies.

The Ones [comedies] That I Always Liked, Whether It's Terms Of Endearment, Broadcast News, Or Fast Times Of Ridgemont High, They Were All About Two Hours, Or A Little Bit Over Two Hours. With That Extra 15 Or 20 Minutes, You Can Get To Real Character And You're Not Just Stuck In Plot.

Every Time I'm In Editing, There's Always A Moment Where You Think, "maybe This Should Be Six Or Seven Minutes Shorter, But I'm Losing Character And Story That I Think Is Important." When I Like Things, I'm Not In A Rush For Them To End.