I Want To Save My

A Man Never Forgets His Body The Way A Woman Does, Because A Man Is Pushing His Body, A Part Of His Body, Forward, To Make The Act Of Love Happen. He Brings The Jut Of His Body Into The Act Of Love, Then Takes It Back, When It Has Had Its Way.

The Photographer Is An Armed Version Of The Solitary Walker Reconnoitering, Stalking, Cruising The Urban Inferno, The Voyeuristic Stroller Who Discovers The City As A Landscape Of Voluptuous Extremes. Adept Of The Joys Of Watching, Connoisseur Of Empathy, The Flâneur Finds The World 'picturesque.

In The Valley Of Sorrow, Spread Your Wings.

Because Each Photograph Is Only A Fragment, Its Moral And Emotional Weight Depends On Where It Is Inserted. A Photograph Changes According To The Context In Which It Is Seen: Thus Smith's Minamata Photographs Will Seem Different On A Contact Sheet, In A Gallery, In A Political Demonstration, In A Police File, In A Photographic Magazine, In A Book, On A Living-room Wall. Each O These Situations Suggest A Different Use For The Photographs But None Can Secure Their Meaning.

To Photograph Is To Appropriate The Thing Photographed. It Means Putting Oneself Into A Certain Relation To The World That Feels Like Knowledge-and Therefore, Like Power.