I Think, If One Is

I Have Never Been Able To Understand The Artist Whose Image Never Changes.

Painting... In Which The Inner And The Outer Man Are Inseparable, Transcends Technique, Transcends Subject And Moves Into The Realm Of The Inevitable.

The Key Is What Is Within The Artist. The Artist Can Only Paint What She Or He Is About.

One Could Go On For Ever As To Whether The Paint Should Be Thick Or Thin, Whether To Paint The Woman Or The Square, Hard-edge Or Soft, But After A While Such Questions Become A Bore. They Are Merely Problems In Aesthetics, Having Only To Do With The Outer Man.

At That Point It Certainly Would Be Called Abstract. That Is To Say, You Had A Model And There'd Be One Or Two Or Three People There Drawing The Model But Otherwise You Had Abstractions All Around The Room, Even Though The Model Was In Front Of You.