I Think If I'm Going

It's Everything And I Always Make Decisions About The Cast.

That's Part Of The Policy: To Keep Switching Gears.

I Always Say To People When I'm Trying To Get Something Going, Bringing On Other Producers Or Other Directors, "you Can Think Of 95 Reasons Why Not To Make A Movie. You've Got To Address Why You Want To Make The Movie And Get It Done. Just Do It." I Tend To Live By That Rule.

I Went To Art College And During The Summer I Made A Movie With My Brother. I Got Hold Of A Little Camera, Wrote A Script And Dragged My Brother, Tony, Out Of Bed To Help Me (which He Did Not Like), So That We Could Shoot A Film Every Day For Six Weeks. It Was Made For £65 And It Was Called Boy On A Bicycle.

If We Had Written Tristan In The True Vernacular The Audience Would Have Been Very Small. It Wouldn't Have Even Been Shakespearean. It Would Have Been So Celtic You Wouldn't Understand What Was Going On.