I Tend Not To Use

Ever Since I Arrived In America To Promote Stoker, I Haven't Had Time To Go And See It In A Theater. The Fact That I Had To Shoot Twice As Fast As I'm Used To In Korea Was The Most Challenging Thing About My Hollywood Experience.

In Korea Is What I Do Is I Watch The Playback Of Each Take With All Of The Actors And Spend A Lot Of Time Discussing Each Take. Also, I Use The Process We Call Auto-assembly Because I Storyboard My Entire Film Right At The Beginning, Even Before Pre-production Ever Begins, So My Vision Is Already Laid Out On The Storyboard For Everybody To Share. It Enables The On-set Assembly Person, As We Call Them, To Cut Together Each Take Into A Sequence. This Enables A Director To Review The Take Within The Context Of The Sequence Of The Scene.

I've Read All Of Sarah Waters's Novels Which Have Been Translated Into Korean.

I've Always Had An Interest In Vampire Films - Not Just 'nosferatu,' But There Are Many Others That I Have Enjoyed: Abel Ferrara,coppola, Neil Jordan.

Not Only Do I Look At The Playback With The Actors, But I Look At The On-set Assembly Footage With The Sequences With My Actors As Well. These Are The Reasons Why I Take Twice As Much Time To Shoot A Film In Korea. Thinking Back, I Remember On My First Ever Korean Film, I Never Used Any Playback Or On-set Assembly, So All I Had To Do Was To Tell Myself It's Just Like Making My First Ever Korean-language Film. After That, I Felt Right At Home.