I Stood There In The

I Work Really Out Of Mythology, So Often I Work Out Of A Story That Has Remained Lodged Inside Somehow, Or I Work Out Of History, You Know, Out Of A Sense Of Historical Inevitability With Characters.

I Make Very Involved Drawings, Even Little Structures, And Try Using Design To Figure Out The Rhythm Of A Plot. If There Are Several Narrators Then A Clue Has To Pop Up In The First Line. There Have To Be Certain Grammatical Clues, Or Distinctive Names.

I Can't Imagine A Home Without An Overflow Of Books. The Point Of Books Is To Have Way Too Many But To Always Feel You Never Have Enough, Or The Right One At The Right Moment, But Then Sometimes To Find You'd Longed To Fall Asleep Reading The Aspern Papers, And There It Is.

Women Don't Realize How Much Store Men Set On The Regularity Of Their Habits. We Absorb Their Comings And Goings Into Our Bodies, Their Rhythms Into Our Bones.

Looking At The Shape Of The World, I See How We're In A Time Where Women Are The Subject Of Hatred, Fear, And We Have To Fight That All The Time. I Feel That There Are Fights We Take For Granted. When I Look At The World, I See That Women Are Subject To Cruelty. And That's Why The Global Gag Rule Means So Much To Me, That The United States Wouldn't Stand Up For The Rights And Health Of Women.