I'm A Father Of Four

I Don't Like The Idea Of Not Being Able To Knock About The Town, You Know.

When I Moved To London, You Could Park Your Motorcycle In The Pavement, On The Sidewalk. We Would Stay Here And Just Leave It And Go About Your Business. But Now Something Was Sort Of Encroaching In London. There's Cameras Everywhere. You Can't Do Anything. You're Not Allowed To Be In A Group.

Starting With A Party Scene For 600 Cast And End Up Singing On Top Of A Giant Elephant...does It Get Any Better Than This?

You Would Never Dream Of Going On To Play A Scene In Front Of An Audience At Least Without Having Rehearsed It. But You Do Somehow In Front Of A Camera.

There's Something That Happens Where You Go, If You're Lucky, Goodness Me, From Film To Another Film To Another Film. And You Can Sort Of Feel That If You Step Off That Treadmill, It Might All Go Horribly Wrong And You Might Never Be Employed Again, You Know. And I Suddenly Thought That That's Not Necessarily The Case. And I Also Thought We Make Drama As Actors About People In The World And That If You Are On That Treadmill, You Start Making Films About Other Films.