I Like Making Movies.

Not Harder Than It Should Be, No. We're About The Business, We're About The Work. It's All About The Work, Always. We Have Fun And Laugh And There're Days That Are More Intense Than Others, But We're There To Make It Better. He's Always Going To Try And Make It Better, I'm Always Going To Try And Make It Better. So You Accept Anything, You Accept Whatever It Takes To Get It Up On The Screen And Make It Worthy.

My Experience Of Test Screenings Is That You Don't Know What Kind Of Mood People Are Going To Be In, And Sometimes The Studios Accept What Joe Blo Says - And This Guy Could Just Be A Frustrated Filmmaker, Or Not Paying Attention.

It's Not Worth It, It's Not About Money, Especially When You're Dealing With A Culture. It Should Be About Elevating The Idea Of What We Are And Who We Are As People In The Cinema, And That Kind Of Stuff Keeps Dragging Us Back Down.

There Are Many Stories Of People Didn't Set Out To Make A Film That Became A Classic - The Whole Process Was A Disaster, Everybody Hated Each Other, The Movie Itself Was A Disaster, Everybody Thought The Movie And The Script Was Going To Be A Piece Of Crap. Look At Alfred Hitchcock And Psycho. Nobody Wanted To Make Psycho; It Was Crap To Them. The Only Person That Wanted To Make Psycho Was Hitchcock. Now, It's Considered A Classic And A Work Of Art.

Even The Westerns That I Grew Up With, The Sergio Leone's And All That, There Was Always A Sort Of Anti-hero, A Guy Reluctant To Shame Even, To Pick Up The Gun Again Because He Wants To Help Other People, And He Does, He Uses His Skills For That.