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I Like Everything That Has No Style: Dictionaries, Photographs, Nature, Myself And My Paintings. (because Style Is Violent, And I Am Not Violent.)
-Gerhard Richter
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I Like Everything That Has
Gerhard Richter
I Like Everything That Has No Style: Dictionaries, Photographs, Nature, Myself And My Paintings. (because Style Is Violent, And I Am Not Violent.)
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More From Gerhard Richter
There Is Sorrow, But I Hope One Can See That It Is Sorrow For The People Who Died So Young And So Crazy, For Nothing. I Have Respect For Them, But Also For Their Wishes, Or For The Power Of Their Wishes. Because They Tried To Change The Stupid Things In The World.
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Stupid
Pictures Are The Idea In Visual Or Pictorial Form; And The Idea Has To Be Legible, Both In The Individual Picture And In The Collective Context - Which Presupposes, Of Course, That Words Are Used To Convey Information About The Idea And The Context. However, None Of This Means That Pictures Function As Illustrations Of An Idea: Ultimately, They Are The Idea. Nor Is The Verbal Formulation Of The Idea A Translation Of The Visual: It Simply Bears A Certain Resemblance To The Meaning Of The Idea. It Is An Interpretation, Literally A Reflection.
Art
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The Painter Sees The Semblance Of Things And Repeats It. That Is, Without Fabricating The Things Himself, He Fabricates Their Semblance; And, If That No Longer Recalls Any Object, This Artificially Produced Semblance Functions Only Because It Is Scrutinized For Likeness To A Familiar - That Is, Object-related - Semblance.
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The Smudging Makes The Paintings A Bit More Complete. When They're Not Blurred, So Many Details Seem Wrong, And The Whole Thing Is Wrong Too. Then Smudging Can Help Make The Painting Invincible, Surreal, More Enigmatic - That's How Easy It Is.
Art
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I Don't Create Blurs. Blurring Is Not The Most Important Thing; Nor Is It An Identity Tag For My Pictures.
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Important
Identity
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