I Learn Things Late-and Only

We Do. Or Re-create The Ones We Have, And Project. My Whole Life Is Projection.

America Was Never Innocent. We Popped Our Cherry On The Boat Over And Looked Back With No Regrets. You Can't Ascribe Our Fall From Grace To Any Single Event Or Set Of Circumstances. You Can't Lose What You Lacked At Conception.

I Am A Master Of Fiction. I Am Also The Greatest Crime Novelist Who Ever Lived. I Am To The Crime Novel In Specific What Tolstoy Is To The Russian Novel And What Beethoven Is To Music.

History Is A State Of Yearning. I Yearn For Kay Lake Throughout This Entire Thing. There's An Essay I've Written Where I Talked About Living In The Past. There's A Whole Motif In The Book Of Then And Now. And I Lived There.

The 250-page Outline For American Tabloid. The Books Are So Dense. They're So Complex, You Cannot Write Like I Write Off The Top Of Your Head. It's The Combination Of That Meticulousness And The Power Of The Prose And, I Think, The Depth Of The Characterizations And The Risks That I've Taken With Language That Give The Books Their Clout. And That's Where I Get Pissed Off At A Lot Of My Younger Readers.