I Know The Books That

As People Who Are Women, Who Are Indigenous And Live On Indigenous Lands, We Know, And This Is Something I Understand The Older I Get, That They Don't Visit The Same Way The Postman May Visit But They Do Visit. They Visit In Ways That Our Modern Society Often Disregards And Considers Immaterial Or Unreal.

Perhaps The Community You Mentioned Might Not Come To The Story. Sometimes You Have To Take The Story To Them, And Perform It, And That's Another Way That I Get An Alternate Point Of View That Isn't The Official Version Of History Out To A Community. I Feel That's What I've Been Doing Since Caramelo.

I Think One Of The Great Primordial Fears We Have Once We Become Conscious Of Our Aloneness As Children Is The Fear Of Losing Our Mother. We Have That From The Moment We Realize We Can Lose Her Just In The Supermarket. As A Child, It Was More Terrifying Than Arithmetic.

If You Start Thinking About Who's Going To Read It [you're Writing], Or What Grade Will You Get, Or Is It Going To Win That Award, Or Are You Going To Get Into This Graduate Program, You're Blocking The Light, And The Light Is That Guidance And Love We Get When We Open Up Our Hearts And Are Guided By Our Higher Selves, Or God, Or The Buddha Lupe [buddha And The Virgin Of Guadalupe Fused Together, As They Are In The Tattoo On Sandra's Right Arm], Or Whatever You Believe In, Or Love.

I Don't Close Myself To The Possibility Of Someplace Outside The United States, But It Would Have To Be Someplace With An Indigenous Community, Because That's Where I Feel At Home.