I Had A Viking Sense

[t]hat I Could Find Company And Consolation And Hope In An Object Pulled Almost At Random From A Bookshelf--felt Akin To An Instance Of Religious Grace.

Good Novels Are Produced By People Who Voluntarily Isolate Themselves And Go Deep, And Report From The Depths On What They Find.

I Wrote Two Plotted Books, Got Some Of The Fundamentals Of Storytelling Down, Then... It's Sort Of Like Taking The Training Wheels Off, Trying To Write A Book That's Fun In The Same Way Without Relying On Quite Such Mechanical Or External Beats.

She Wondered: How Could People Respond To These Images If Images Didn't Secretly Enjoy The Same Status As Real Things? Not That Images Were So Powerful, But That The World Was So Weak. It Could Be Read, Certainly, In Its Weakness, As On Days When The Sun Baked Fallen Apples In Orchards And The Valley Smelled Like Cider, And Cold Nights When Jordan Had Driven Chadds Ford For Dinner And The Tires Of Her Chevrolet Had Crunched On The Gravel Driveway; But The World Was Fungible Only As Images. Nothing Got Inside The Head Without Becoming Pictures.

Then She Waited, With Parted Lips And A Saucy Challenge In Her Eyes, To See How Her Presence -- The Drama Of Being Her -- Was Registering. In The Way Of Such Chicks, She Seemed Convinced Of The Originality Of Her Provocation.