I Got So I Was

I Like Photographs Of Anything Uninteresting. Maybe Just Two Doors On A Wall... The Point Is To Be Uninteresting.

I Think That In The Last Twenty Years Or So, There's Been A New Kind Of Honesty In Painting Where Painters Have Been Very Proud Of Paint And Have Let It Behave Openly.

Painting Is Always Strongest When In Spite Of Composition, Color, Etc., It Appears As A Fact, Or An Inevitability, As Opposed To A Souvenir Or Arrangement.

I Don't Like Masterpieces Having One-night Stands In Collectors' Homes Between Auctions.

I Don't Think There's Anything Really Wrong With Influence Because I Think That One Can Use Another Man's Art As Material Either Literally Or Just Implying That They're Doing That, Without It Representing A Lack Of A Point Of View.