I Don't Want My Work

I Think A Painting Should Include More Experience Than Simply Intended Statement.

Object In/ And Space - The First Impulse May Be To Give The Object - A Position - To Place The Object. (the Object Had A Position To Begin With.) Next - To Change The Position Of The Object. - Rauschenberg's Early Sculptures - A Board With Some Rocks On It. The Rocks Can Be Anywhere On The Board. - Cage's Japanese Rock Garden - The Rocks Can Be Anywhere (within The Garden).

I Would Tend To Say That I Do What I Do As Well As Possible And That Most People Don't.

Everybody Is Of Course Free To Interpret The Work In His Own Way. I Think Seeing A Picture Is One Thing And Interpreting It Is Another.

I'm Not Looking For Images, They Just Appear And Take On An Interest. Sometimes You Look At A Thing And It Has No Interest And Then You See It In A Different Way And It Has Another Meaning. Or Something That Was Of No Use Will Become Useful.