I Don't Understand Why Very,

High Creativity Is Responding To Situations Without Critical Thought.

I Have Several Times Made A Poor Choice By Avoiding A Necessary Confrontation.

I Think The Hard Thing For Young Comedians Is That The Majority Of The Young People In The Audience Out There Don't Have The Wide Range Of References.

By Watching The Great, Old Comedians I Picked Up A Few Tricks About How To Do Physical Comedy. And Whenever I Could Learn Something, I Sort Of Added That To My Repertoire.

Although I Had Good Hand-eye Coordination, I Was So Tall And Skinny And Muscularly Weak That I Just Was Not Well Coordinated. But What I Started To Do Quite Early On Was Watch Some Of The Great Old Silent Comedians, Like Laurel And Hardy And Chaplin, And Then Later On Harold Lloyd And Buster Keaton.