I Don't Think I Could

I Think The Law Changes, Which Is A Nice Luxury.

When I Really Have To Push And Grope And Scratch And Claw To Make A Story Work, That's A Telltale Sign That Maybe Something Conceptually Isn't Right.

The Ideal Time For Writing A [television] Script Is Four Days, Though Sometimes It Has To Be Two Or Three Days Depending On The Deadline. If It's Two Days, Sometimes There Are Things I See That Don't Work As Well. If I Have Two Weeks, The Scripts Get Kind Of Flabby And Lack The Adrenaline That A Sense Of Deadline Fills You With.

Chemistry Is Not Anything An Executive Producer Or Writer Can Orchestrate Or Plan; You Just Hope For It.

But Steven Bochco Was Smart; He Knew That Viewers Were Smart.