I Don't Think Good And

One Of The Reasons I Loved Working With Tom Is People Feel They Know Who He Is... I Think Working With An Actor Who The Audience Already Has A Relationship With Actually Helps You In A Film Like This.

You Freeze With The Number Of Opportunities Given To You And Just Decide To Do Nothing At All.

One Movie Is Only One Movie. I Want To Have A Lifetime Of Making Films.

I Suppose Once In A While, A Filmmaker Makes A Movie That's More Than Just A Sum Of Its Parts, More Than Good Acting Or Good Filmmaking. It's Something Else That Has Nothing To Do With What You've Done. This Is In 1999, Made By People In 1999 For People In 1999 About People In 1999.

I've Directed Bits Of Action And So I Know That It's Long And It's Very Detailed. Editing Action Is A Good Deal More Exciting Than Shooting Action. Shooting Action Is Very, Very Meticulous, It's Increments, Tiny Little Pieces.