I Discover What My Film

I Hate Period Films - And There Are Plenty Of Them - Where They Say, "let's Not Do Contemporary Language Because The Audience Won't Understand It;" "let's Not Make The Girls Wear Corsets, Because It's Not Sexy" And All That Sort Of Thing. Gradually It Disintegrates Into A No Man's Land: You Don't Really Believe It's A Period Scene And It Doesn't Feel Like It's Now Because It's Not Now. You Don't Feel It's Quite Real And You Don't Believe In It.

I've Walked Out Of Films. But For Every Film I've Ever Walked Out Of, I've Probably Walked Out Of 500 Plays.

What I Do Is To Collaborate With Each Actor And Work One-on-one To Create A Character. And That Is A Matter Of Huge Complexity And Is A Combination Of A Great Deal Of Discussion And A Lot Of Practical Work. It Involves A Lot Of Consideration For The Real People Out There, And All Kinds Of Sources Of Real People. The Result Is The Character. But I'm Not Supposed To Talk About What It Is We Do, Because It's Nobody's Business.

I Take No Notice Of The Trends. It Has Never Concerned Me At All. My Job Is To Deal With What I Want To Deal With And Reach An Audience By Doing So.

If A Film Or Any Piece Of Work Doesn't Entertain, It Fails - And That Is Using The Word Entertain Literally, Meaning It Holds You There And You Become Absorbed By It So That You Don't Walk Away And Get Bored And So On.