I Didn't Want To Be

I Realize That I Had The Best Of Serious Picture Journalism.

I Came To Photography By Accident.

I Realise That I Had The Best Of Serious Picture Journalism. There Was An Innocence In Our Approach, Especially In The 1950s And 1960s When We Naively Believed That By Holding A Mirror Up To The World We Could Help - No Matter How Little - To Make People Aware Of The Human Condition.

A Studio Session ... Provides The Greatest Chance For Control. Even Though There Is Total Freedom, I Still Dislike Studio Photography And The Contrived Images That Usually Stem From This Genre.

It Doesn’t Matter If You Use A Box Camera Or A Leica, The Important Thing Is What Motivates You When You Are Photographing. What I Have Tried To Do Is Involve The People I Was Photographing. To Have Them Realize Without Saying So, That It Was Up To Them To Give Me Whatever They Wanted To Give Me . . . If They Were Willing To Give, I Was Willing To Photograph.