I Design My Shots. I

Fame Is Fleeting, Honey. Fame Is Fleeting And It Changes.

There Are Some Scenes That Work Beautifully In A Moving, Sweeping Master, Which Is How I Like To Work.

I'm Always Moving Forward.

As Far As Pacing The Shoot Is Concerned, I Know When I've Got It. I Don't Think There's Any Reason To Take Ten Takes Unless You Need Them.

You Have To Examine A Scene On The Page First. Then You Get Into The Basics Of Acting: Who Are You? Who Are You Talking To? How Do You Feel About That Person?