I Consider All My Films

It’s Harder To Write A Story With Just Two People In A Room Than With 50 Characters.

In General, In All My Films, I Choose To Create A Certain Mistrust, Rather Than Claiming That What I'm Showing Onscreen Is An Accurate Reproduction Of Reality. I Want People To Question What They Are Seeing Onscreen. In The Same Way As I Used The Narrator, I Also Used Black And White, Because It Creates A Distance Toward What's Being Seen. I See The Film As An Artifact Rather Than A Reliable Reconstruction Of A Reality That We Cannot Know.

The Difficulty, Then, Is When You Create A Church, An Institution, And You Create A Dogma. When You Create An Ideology, That's The Danger. Communism, Too, Is A Beautiful Idea, But Millions Of People Died When Communism Became An Ideology.

Usually Music Is Used To Hide A Film's Problems.

When Making A Film, I'm Never Concerned About Whether The Theme Is New Or Whether It's Been Done Before In Cinema Or Not. I'm Led To Make Films If There's A Theme That Interests Me Or I Experience Something In My Own Life That Confronts Me With Something That I Want To Deal With.