I Can Connect Nothing With

One Of The Surest Tests Of The Superiority Or Inferiority Of A Poet Is The Way In Which A Poet Borrows. Immature Poets Imitate Mature Poets Steal Bad Poets Deface What They Take And Good Poets Make It Into Something Better Or At Least Something Different. The Good Poet Welds His Theft Into A Whole Of Feeling Which Is Unique Utterly Different Than That From Which It Is Torn The Bad Poet Throws It Into Something Which Has No Cohesion. A Good Poet Will Usually Borrow From Authors Remote In Time Or Alien In Language Or Diverse In Interest.

In The End Is My Beginning.

It Seems Just Possible That A Poem Might Happen To A Very Young Man: But A Poem Is Not Poetry -that Is A Life.

Between The Conception And The Creation, Between The Emotion And The Response, Falls The Shadow.

Most Contemporary Novels Are Not Really "written." They Obtain What Reality They Have Largely From An Accurate Rendering Of The Noises That Human Beings Currently Make In Their Daily Simple Needs Of Communication; And What Part Of A Novel Is Not Composed Of These Noises Consists Of A Prose Which Is No More Alive Than That Of A Competent Newspaper Writer Or Government Official. A Prose That Is Altogether Alive Demands Something Of The Reader That The Ordinary Novel-reader Is Not Prepared To Give.