I Call For Actors Burning

Those Who Live, Live Off The Dead.

The Fixation Of The Theater In One Language--written Words, Music, Lights, Noises--betokens Its Imminent Ruin.

[nietzsche's] Definition Of Cruelty Informs Artaud's Own, Declaring That All Art Embodies And Intensifies The Underlying Brutalities Of Life To Recreate The Thrill Of Experience ... Although Artaud Did Not Formally Cite Nietzsche, [their Writing] Contains A Familiar Persuasive Authority, A Similar Exuberant Phraseology, And Motifs In Extremis.

All True Language Is Incomprehensible, Like The Chatter Of A Beggar's Teeth.

Admittedly Or Not, Conscious Or Unconscious, The Poetic State, A Transcendent Experience Of Life, Is What The Public Is Fundamentally Seeking Through Love, Crime, Drugs, War, Or Insurrection.