I Always Thought The Real

Acting Is Not A Genteel Profession. Actors Used To Be Buried At A Crossroads With A Stake Through The Heart. Those People's Performances So Troubled The Onlookers That They Feared Their Ghosts. An Awesome Compliment. Those Players Moved The Audience Not Such That They Were Admitted To A School, Or Received A Complimentary Review, But Such That The Audience Feared For Their Soul. Now That Seems To Me Something To Aim For.

What We're Trying To Do Is Find Two Or More Shots The Juxtaposition Of Which Will Give Us The Idea.

The Basis Of Drama Is... The Struggle Of The Hero Towards A Specific Goal At The End Of Which He Realises That What Kept Him From It Was, In The Lesser Drama, Civilisation And, In The Great Drama, The Discovery Of Something That He Did Not Set Out To Discover But Which Can Be Seen Retrospectively As Inevitable.

In Playwriting, You've Got To Be Able To Write Dialogue. And If You Write Enough Of It And Let It Flow Enough, You'll Probably Come Across Something That Will Give You A Key As To Structure. I Think The Process Of Writing A Play Is Working Back And Forth Between The Moment And The Whole. The Moment And The Whole, The Fluidity Of The Dialogue And The Necessity Of A Strict Construction. Letting One Predominate For A While And Coming Back And Fixing It So That Eventually What You Do, Like A Pastry Chef, Is Frost Your Mistakes, If You Can.

Cultivate A Love Of Skill. Learn Theatrical Skills. They Will Give You Continual Pleasure, Self-confidence, And Link You To Fifty Thousand Years Of The History Of Our Profession.