He Sleeps Fastest Who Sleeps

I've Worked Out Of A Series Of No's. No To Exquisite Light, No To Apparent Compositions, No To The Seduction Of Poses Or Narrative. And All These No's Force Me To The Yes. I Have A White Background. I Have The Person I'm Interested In And The Thing That Happens Between Us.

You Can't Get At The Thing Itself, The Real Nature Of The Sitter, By Stripping Away The Surface. You Can Only Get Beyond The Surface By Working With The Surface. All That You Can Do Is Manipulate That Surface - Gesture, Costume, Expression - Radically And Correctly.

When You Pose For A Photograph, It's Behind A Smile That Isn't Yours. You Are Angry And Hungry And Alive. What I Value In You Is That Intensity. I Want To Make Portraits As Intense As People.

For Hours She Danced And Sang And Flirted And Did This Thing That's-she Did Marilyn Monroe. And Then There Was The Inevitable Drop. And When The Night Was Over And The White Wine Was Over And The Dancing Was Over, She Sat In The Corner Like A Child, With Everything Gone. I Saw Her Sitting Quietly Without Expression On Her Face, And I Walked Towards Her But I Wouldn't Photograph Her Without Her Knowledge Of It. And As I Came With The Camera, I Saw That She Was Not Saying No.

My Parents Put The New Yorker In My Crib. I Saw Vogue And Vanity Fair Around The House Before I Could Read.