. . . He Felt

Philip Glass, Like [virginia] Woolf, Is More Interested In That Which Continues Than He Is In That Which Begins, Climaxes, And Ends... Glass And Woolf Have Both Broken Out Of The Traditional Realm Of The Story, Whether Literary Or Musical, In Favor Of Something More Meditative, Less Neatly Delineated, And More True To Life. For Me, Glass [finds] In Three Repeated Notes Something Of [a] Rapture Of Sameness.

A Certain Bohemian, Good-witch Sort Of Charm

I Don't Have Any Regrets, Really, Except That One. I Wanted To Write About You, About Us, Really. Do You Know What I Mean? I Wanted To Write About Everything, The Life We're Having And The Lives We Might Have Had. I Wanted To Write About All The Ways We Might Have Died.

How We Dress Is, As Far As I Can Tell, The Only Inescapably Public Choice That We Have. People Don't Need To Know What You Eat, People Don't Need To Know Who You Have Sex With. But There's No Escaping What You Wear And The Fact That You've Chosen It. Even If You Insist That You Don't Care About Fashion, That's Your Statement. It's Really One Realm Of Life Where You Are Forced To Make Your Own Statement.

What A Thrill, What A Shock, To Be Alive On A Morning In June, Prosperous, Almost Scandalously Privileged, With A Simple Errand To Run.