Go Home, Pick Up Your

I Like The Evening In India, The One Magic Moment When The Sun Balances On The Rim Of The World, And The Hush Descends, And Ten Thousand Civil Servants Drift Homeward On A River Of Bicycles, Brooding On The Lord Krishna And The Cost Of Living.

I Tend To Like Strong Female Characters. It Just Interests Me Dramatically. A Strong Male Character Isn't Interesting Because It Has Been Done And It's So Cliched. A Weak Male Character Is Interesting: Somebody Else Hasn't Done It A Hundred Times. A Strong Female Character Is Still Interesting To Me Because It Hasn't Been Done All That Much, Finding The Balance Of Femininity And Strength. [from A 1986 Fangoria Interview]

Every Time My Cameras Go Out On A Movie, We Learn Something New And Then We Take What We Learn And We Put It Into The Next Generation Of The Cameras So We're Constantly Improving. It's Kind Of Like Building A Race Car, Racing It, Then Running Back To The Shop And Working On The Engine Some More And Tinkering With It To Improve It.

A Director's Job Is To Make Something Happen And It Doesn't Happen By Itself. So You Wheedle, You Cajole, You Flatter People, You Tell Them What Needs To Be Done. And If You Don't Bring A Passion And An Intensity To It, You Shouldn't Be Doing It.

Everybody Is Always Talking About Droughts And Sea Level Rise, But When Human Civilization, With More Crowding And Greater Resource Depletion, Is Under That Much Stress, It Translates Into Wars And Huge Displaced Populations. The Syrian Refugee Crisis Is Just A First Taste Of What It's Going To Be Like. I Don't Want My Kids Growing Up In That Kind Of World.