French People Are Strange About

It's Not My Job. The Weinstein Company, It's Their Job To Convince People. My Job Was To Make The Movie. That's What I Did. I Know What We Did In France Was To Have The Maximum Screenings Just To Let People Talk About The Movie And Say They Enjoyed The Movie.

But Sometimes I Think You Have To Try To Do Things That People Don't Think Are Doable.

I Can Say Is Usually People Are Slightly Confused. They Think That Silent Movies Are Old. But, The Fact Is, They Are Old Because They Have Been Made In The '20s. That's The Thing That Makes Them Old. Not The Format. The Format Is Just A Format. It's Not An Old Format.

Usually, When You Do A Period Movie, You Just Recreate What You Are Shooting. You Don't Recreate The Way You Shoot It. I Think I Did The Same Thing Here As I Did In The Oss 117 Movies. I Recreated The Way To Shoot That Period, Because To Me, Like What I Was Saying About The Steadicam, There's No Sense To Do A Steadicam Shot In The 1920s Because You Have Never Seen The '20s Like That. You Can't Believe There Was A Steadicam In The 1920s. I Believe It's A Continuation Of The Oss 117 In A Way But Without The Irony.

Hollywood Is Much More Than America. Hollywood Belongs To All Of The Planet.