For A Novelist, A Given

When We Want To Give Expression To A Dramatic Situation In Our Lives, We Tend To Use Metaphors Of Heaviness. We Say That Something Has Become A Great Burden To Us. We Either Bear The Burden Or Fail And Go Down With It, We Struggle With It, Win Or Lose. And Sabina - What Had Come Over Her? Nothing. She Had Left A Man Because She Felt Like Leaving Him. Had He Persecuted Her? Had He Tried To Take Revenge On Her? No. Her Drama Was A Drama Not Of Heaviness But Of Lightness. What Fell To Her Lot Was Not The Burden, But The Unbearable Lightness Of Being.

The Serial Number Of A Human Specimen Is The Face, That Accidental And Unrepeatable Combination Of Features. It Reflects Neither Character Nor Soul, Nor What We Call The Self. The Face Is Only The Serial Number Of A Specimen

The Reign Of Imagagology Begins Where History Ends.

Speed Is The Form Of Ecstasy The Technical Revolution Has Bestowed On Man. As Opposed To A Motorcyclist, The Runner Is Always Present In His Body, Forever Required To Think About His Blisters, His Exhaustion; When He Runs He Feels His Weight, His Age, More Conscious Than Ever Of Himself And Of His Time Of Life. This All Changes When Man Delegates The Faculty Of Speed To A Machine: From Then On, His Own Body Is Outside The Process, And He Gives Over To A Speed That Is Noncorporeal, Nonmaterial, Pure Speed, Speed Itself, Ecstasy Speed.

The Purpose Of The Poetry Is Not To Dazzle Us With An Astonishing Thought, But To Make One Moment Of Existence Unforgettable And Worthy Of Unbearable Nostalgia.