Evil Would Always Come To

I Wrote To Explain My Own Life To Myself, Stories Are The Vessels I Use To Interpret The World To Myself.

I Was Trying To Unravel The Complicated Trigonometry Of The Radical Thought That Silence Could Make Up The Greatest Lie Ever Told.

Do You Think That Hemingway Knew He Was A Writer At Twenty Years Old? No, He Did Not. Or Fitzgerald, Or Wolfe. This Is A Difficult Concept To Grasp. Hemingway Didn't Know He Was Ernest Hemingway When He Was A Young Man. Faulkner Didn't Know He Was William Faulkner. But They Had To Take The First Step. They Had To Call Themselves Writers. That Is The First Revolutionary Act A Writer Has To Make. It Takes Courage. But It's Necessary

Books Are Living Things And Their Task Lies In Their Vows Of Silence. You Touch Them As They Quiver With A Divine Pleasure. You Read Them And They Fall Asleep To Happy Dreams For The Next 10 Years. If You Do Them The Favor Of Understanding Them, Of Taking In Their Portions Of Grief And Wisdom, Then They Settle Down In Contented Residence In Your Heart.

Charleston Has A Landscape That Encourages Intimacy And Partisanship. I Have Heard It Said That An Inoculation To The Sights And Smells Of The Carolina Lowcountry Is An Almost Irreversible Antidote To The Charms Of Other Landscapes, Other Alien Geographies. You Can Be Moved Profoundly By Other Vistas, By Other Oceans, By Soaring Mountain Ranges, But You Can Never Be Seduced. You Can Even Forsake The Lowcountry, Renounce It For Other Climates, But You Can Never Completely Escape The Sensuous, Semitropical Pull Of Charleston And Her Marshes.