Everything I Can't See /

There's A Certain Pleasure In Violating The Strictures Of Your Education. The Trick Is, If You're Going To Explore Ideas In A Poem, To Be Suspicious Of Ideas And Suspicious Of Your Own Mind At The Same Time. It's Often A Matter Of Orchestration And Pacing. Of Shaping Some Kind Of Dialectic Flow.

A Good Many Of My Poems Over The Years Have Alluded To Or Taken On The Political. Stevens Has A Line In One Of His Essays: "reality Exerts Pressure On The Imagination." Inevitably What Is Omnipresent In The Culture Exerts Its Pressure On Our Imaginations To Respond To It, Even If Indirectly. But In This Case The Backdrop Of 9/11, Coincident With The Breakup Of A Marriage, The Finding Of New Love, Some Kind Of Personal Cataclysm... All Of Those Were Forces Informing The Poems In Some Way.

I Will Try To Disappoint You Better Than Anyone Ever Has.

What Feeling Feels Like Over Time. An Attempt To Screw Up What Feeling Feels Like Over Time. Heartbreak And A High C.... The Often Welcome Melodic Lie.... The Soul's Undersong. The Orchestration Of Randomness, A Flirtation With The Boundaries Of Silence And Space.... A Reminder That The Self Wants To Disappear, Be Taken Away From Itself And Returned.

Although I Know It's Unfair, I Reveal Myself One Mask At A Time.