Every Old Sock Meets An

I Don't Really Listen To My Old Stuff, But On Occasion, I Would Either Hear A Track On The Radio Or A Friend Might Play Me One, And There Was Generally A Bit Of An Edgy Sound To It, Which Was Mainly Due To The Digital Equipment That We Were Using, Which Was State Of The Art At The Time - And I Think Everyone Felt Pressured To Be Working That Way.

The Thing With 50 Words Of Snow Is That It Was Literally Back-to-back From Director's Cut [also Released In 2011]. It Was More Or Less That I Got To Make Two Albums In One Hit. I Was Already In This Space In My Mind To Be Writing And Making An Album.

We Used To Say "ah Hell, We're Young" But Now We See That Life Is Sad And So Is Love.

Even Just Making Albums - Which Was More Within The Structure That I've Worked In For Years - You Have No Idea How People Will Respond. You Don't Know If It'll Be Any Good Whatsoever. It Can Be Terrifying.

I Split It Up Into Working On The Two Narrative Pieces That Can Tell A Story. The Scariest Thing Was Whether I'd Be Any Good Performing Live Again. It Was Such A Long Time Since I'd Done Any Live Work. It's So Different For Me Than Recording. Every Night My Audiences Were What I Would Dream Of. You Could Just Feel Their Support.