Every Great Film Should Seem

Film Theory Has Nothing To Do With Film. Students Presumably Hope To Find Out Something About Film, And All They Will Find Out Is An Occult And Arcane Language Designed Only For The Purpose Of Excluding Those Who Have Not Mastered It And Giving Academic Rewards To Those Who Have. No One With Any Literacy, Taste Or Intelligence Would Want To Teach These Courses, So The Bona Fide Definition Of People Teaching Them Are People Who Are Incapable Of Teaching Anything Else.

I Am Not A Believer, Not An Atheist, Not An Agnostic. I Am Still Awake At Night, Asking How? I Am More Content With The Question Than I Would Be With An Answer.

It's Funny That There Was So Much Disturbance About Having A Catholic In The White House With Kennedy, And When We Finally Get A Religion In The White House That's Causing A Lot Of Conflicts, And Concerns, And Disturbances For A Lot Of People, It's In The Bush Administration.

One Of The Most Sublime And Hazardous Moments In Human Experience Comes When Two People Lock Eyes And Realize That They Are Sexually Attracted To One Another. They May Not Act On The Knowledge.they May File It Away For Future Reference. They May Deny It. They May Never See Each Other Again. But The Moment Has Happened, And For An Instant All Other Considerations Are Insignificant.

To Call It An Anticlimax Would Be An Insult Not Only To Climaxes But To Prefixes. It's A Crummy Secret, About One Step Up The Ladder Of Narrative Originality From It Was All A Dream. It's So Witless, In Fact, That When We Do Discover The Secret, We Want To Rewind The Film So We Don't Know The Secret Anymore. And Then Keep On Rewinding, And Rewinding, Until We're Back At The Beginning, And Can Get Up From Our Seats And Walk Backward Out Of The Theater And Go Down The Up Escalator And Watch The Money Spring From The Cash Register Into Our Pockets.