Every Golden Age Is As

The Magician Seemed To Promise That Something Torn To Bits Might Be Mended Without A Seam, That What Had Vanished Might Reappear, That A Scattered Handful Of Doves Or Dust Might Be Reunited By A Word, That A Paper Rose Consumed By Fire Could Be Made To Bloom From A Pile Of Ash. But Everyone Knew That It Was Only An Illusion. The True Magic Of This Broken World Lay In The Ability Of Things It Contained To Vanish, To Become So Thoroughly Lost, That They Might Never Have Existed In The First Place.

There Were So Many Pittsburgh Poets In My Hallway That If, At That Instant, A Meteorite Had Come Smashing Through My Roof, There Would Never Have Been Another Stanza Written About Rusting Fathers And Impotent Steelworkers And The Bessemer Convertor Of Love.

I Have A Deadline. I'm Glad. I Think That Will Help Me Get It Done.

We Are Accustomed To Repeating The Cliché, And To Believing, That 'our Most Precious Resource Is Our Children.' But We Have Plenty Of Children To Go Around, God Knows, And As With Doritos, We Can Always Make More. The True Scarcity We Face Is Practicing Adults, Of People Who Know How Marginal, How Fragile, How Finite Their Lives And Their Stories And Their Ambitions Really Are But Who Find Value In This Knowledge, Even A Sense Of Strange Comfort, Because They Know Their Condition Is Universal, Is Shared.

I Don't Care What Is Written," Meyer Landsman Says. "i Don't Care What Supposedly Got Promised To Some Sandal-wearing Idiot Whose Claim To Fame Is That He Was Ready To Cut His Own Son's Throat For The Sake Of A Hare-brained Idea. I Don't Care About Red Heifers And Patriarchs And Locusts. A Bunch Of Old Bones In The Sand. My Homeland Is In My Hat. It's In My Ex-wife's Tote Bag.