Especially In Music, You Wonder,

Maybe Certain Aspects Of What I Was Doing Were Reacting Against What Was Happening Or What People Said, Too. That's Something That Happens When You're Starting Out. After Some Time Goes By And You Get A Little Perspective, You Realize That You Don't Need To React. You Can Just Carry On With What You're Doing. That Took Me A Long Time Figure Out; I've Only Gotten To That Point In The Last Five Or 10 Years.

I Love British Humor. It's Just So - Surreal.

Most Of My Early Records Were Not Cohesive At All, Just Collections Of Demos Recorded In Different Years. 'odelay' Was The First Time I Actually Got To Go In The Studio And Record A Piece Of Music In A Continuous Linear Fashion, Although That Was Written Over A Year.

In Japan, You Get On The Bullet Train Or The Airplane, And I Loved The Little Speeches The Stewardesses Would Do. They Even Do Little Speeches Before You Play Gigs.

I Think You Have To Keep A Childlike Quality To Play Music Or Make A Record.