Do We Know What We

The Photographs Are Not Illustrative. They, And The Text, Are Coequal, Mutually Independent, And Fully Collaborative. By Their Fewness, And By The Importance Of The Reader’s Eye, This Will Be Misunderstood By Most Of That Minority Which Does Not Wholly Ignore It. In The Interests, However, Of The History And Future Of Photography, That Risk Seems Irrelevant, And This Flat Statement Necessary.

Nobody Should Touch A Polaroid [camera] Until He's Over Sixty

Color Tends To Corrupt Photography And Absolute Color Corrupts It Absolutely. Consider The Way Color Film Usually Renders Blue Sky, Green Foliage, Lipstick Red, And The Kiddies' Playsuit. These Are Four Simple Words Which Must Be Whispered: Color Photography Is Vulgar.

It's Too Presumptuous And Naïve To Think You Can Change Society By A Photograph Or Anything Else... I Equate That With Propaganda; I Think That's A Lower Rank Of Purpose.

Incidentally, Part Of A Photographer’s Gift Should Be With People. You Can Do Some Wonderful Work If You Know How To Make People Understand What You’re Doing And Feel All Right About It, And You Can Do Terrible Work If You Put Them On The Defense, Which They All Are At The Beginning. You’ve Got To Take Them Off Their Defensive Attitude And Make Them Participate.