Did You Stop Because It

Sometimes I Just Have A Few People Over To See The New Work, And I Think It Works Better Than In A Museum Situation, Where The Public Is Just Presented With A Large Area.

But Part Of The Enjoyment I Take In It Is Finding The Most Efficient Way To Do It, Which Doesn't Mean The Corrections Aren't Made. I Like To Have A Feeling Of The Whole Task Before I Start, Even If It Changes.

I Like To Combine Different Aspects In My Work, To Cover Different Areas, But I Do See Them As Being Separate.

And I Don't Have Any Specific Steps To Take Because I Don't Start The Same Way Every Time. But There Is A Knowing When It's Enough And You Can Leave It Alone.

In The Studio, I Don't Do A Lot Of Work That Requires Repetitive Activity. I Spend A Lot Of Time Looking And Thinking And Then Try To Find The Most Efficient Way To Get What I Want, Whether It's Making A Drawing Or A Sculpture, Or Casting Plaster Or Whatever.