Cleave To No Faith When

The World Is An Oyster But You Don't Crack It Open On A Mattress

My Plays Are Always Involved With Society, But I'm Writing About People, Too, And It's Clear Over The Years That Audiences Understand Them And Care About Them. The Political Landscape Changes, The Issues Change, But The People Are Still There. People Don't Really Change That Much.

I Have Made More Friends For American Culture Than The State Department. Certainly I Have Made Fewer Enemies, But That Isn't Very Difficult.

The Best Of Our Theater Is Standing On Tiptoe, Striving To See Over The Shoulders Of Father And Mother. The Worst Is Exploiting And Wallowing In The Self-pity Of Adolescence And Obsessive Keyhole Sexuality. The Way Out, As The Poet Says, Is Always Through.

I Think The Tragic Feeling Is Invoked In Us When We Are In The Presence Of A Character Who Is Ready To Lay Down His Life, If Need Be, To Secure One Thing -- His Sense Of Personal Dignity.