Careers Are Funny Things. They

In The Thirties A Whole School Of Criticism Bogged Down Intellectually In Those Agitprop, Social-realistic Days. A Play Had To Be Progressive. A Number Of Plays By Playwrights Who Were Thought Very Highly Of Then - They Were Very Bad Playwrights - Were Highly Praised Because Their Themes Were Intellectually And Politically Proper. This Intellectual Morass Is Very Dangerous, It Seems To Me. A Form Of Censorship.

When People Don't Like The Way A Play Ends, They're Likely To Blame The Play.

Death Is Release, If You've Lived All Right.

The Difference Between Critics And Audiences Is That One Is A Group Of Humans And One Is Not.

One Has Always Got To Be Terribly Careful, Since The Theater Is Made Up Of A Whole Bunch Of Prima Donnas, Not To Let The Distortions Occur.