But Films Should Be Voyeuristic.

I Try And Create For The Audience Something That Relates To Real-life Experience.

I Try And Create For The Audience Something That Relates To Real-life Experience. When You're Meeting Somebody For The First Time, All You Have To Go On Are Your Preconceptions And Your Stereotypes And Whatever Else, But Gradually As You Get To Know Them, They Change. They Become More Three-dimensional, And You Start To See Them In Layers.

I Hate Period Films - And There Are Plenty Of Them - Where They Say, "let's Not Do Contemporary Language Because The Audience Won't Understand It;" "let's Not Make The Girls Wear Corsets, Because It's Not Sexy" And All That Sort Of Thing. Gradually It Disintegrates Into A No Man's Land: You Don't Really Believe It's A Period Scene And It Doesn't Feel Like It's Now Because It's Not Now. You Don't Feel It's Quite Real And You Don't Believe In It.

But Films Should Be Voyeuristic. What Else Is A Film If You’re Not Snooping Into Somebody Else’s Lives?

The Delineation Between The Actor And His Part Is A Practical Matter. When The Camera Runs, You Want The Actor To Be The Character.