Art Is The Ideal Medium

As A Matter Of Fact, It Was Only Through The Dealer Fred Jahn That I Succeeded In Overcoming My Reservation About The Works On Paper And Exhibiting Them. Added To This, Of Course, Was The Fact That After Ten Years I Could See The Watercolours In A Different Light, And In Conjunction With Pictures Painted Afterwards, They Had At Least Become More Comprehensible To Me.

I Think Everybody Starts Out By Seeing A Few Works Of Art And Wanting To Do Something Like Them. You Want To Understand What You See, What Is There, And You Try To Make A Picture Out Of It. Later You Realize That You Can't Represent Reality At All - That What You Make Represents Nothing But Itself, And Therefore Is Itself Reality.

The First Colour Charts Were Unsystematic. They Were Based Directly On Commercial Colour Samples. They Were Still Related To Pop Art. In The Canvases That Followed, The Colours Were Chosen Arbitrarily And Drawn By Chance. Then, 180 Tones Were Mixed According To A Given System And Drawn By Chance To Make Four Variations Of 180 Tones. But After That The Number 180 Seemed Too Arbitrary To Me, So I Developed A System Based On A Number Of Rigorously Defined Tones And Proportions.

The Paint For The Grey Paintings Was Mixed Beforehand And Then Applied With Different Implements - Sometimes A Roller, Sometimes A Brush. It Was Only After Painting Them That I Sometimes Felt That The Grey Was Not Yet Satisfactory And That Another Layer Of Paint Was Needed.

All Photographs Are Far More Important Than Any Painting.