Architecture Is A Dangerous Mix

Lagos Has Also Had A Particular Effect On My Career. I Was There Early, And Although It Was A Courageous Step To Go There And Invest On This Scale - I Went There Maybe 20 Times - It's Also Been Also Super-controversial. There's An Old School Of Thought That Somebody Like Me Has No Place To Go There.because Of Colonialism And So On.

The Thing Is That I Have A Really Intense, Almost Compulsive Need To Record. But It Doesn't End There, Because What I Record Is Somehow Transformed Into A Creative Thing. There Is A Continuity. Recording Is The Beginning Of A Conceptual Production. I Am Somehow Collapsing The Two - Recording And Producing - Into A Single Event.

The Beauty Of My Profession [architecture] Lies In Its Randomness And Surprise. And Don't Think I Can Choose My Projects. I Have To Build What's Offered To Me.

Nobody Should Be Anything, But Because I Once Had A Different Profession And I'm Interested In Writing, I Took It Upon Me.

There Are Essentially Two Possibilities. One Is To Be, Shall We Say, An Average Architect And Do The Same Thing Everywhere. The Other Is To Let Yourself Be Inspired And Even Changed By The Unique Qualities Of The Place Where You're Building. We Always Try To Take The Second Approach.