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The Playwright, Along With Any Writer, Composer, Painter In This Society, Has Got To Have A Terribly Private View Of His Own Value, Of His Own Work. He's Got To Listen To His Own Voice Primarily. He's Got To Watch Out For Fads, For What Might Be Called The Critical Aesthetics.

If You Have No Wounds, How Can You Know If You're Alive?

Who's Afraid Of Virginia Woolf?

What I Wanted To Get At Is The Value Difference Between Pornographic Playing-cards When You're A Kid, And Pornographic Playing-cards When You're Older. It's That When You're A Kid You Use The Cards As A Substitute For A Real Experience, And When You're Older You Use Real Experience As A Substitute For The Fantasy.

I Don't Think I've Ever Written About Me. I'm Not A Character In Any Of My Plays, Except That Boy, That Silent Boy That Turns Up In Three Tall Women.