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New Yorkers Only Cross Water For Visual Culture If The Water Is An Ocean. The East River Throws Us For A Huge Loop. If We Started Going To Queens And The Bronx For Visual Culture, Many Of Our Rent, Space, And Crowding Problems Would Be Over Indefinitely.

Where Cezanne Captured And Intensified Shards Of The Eternal (every Pear Far More Sharply Defined Than It Could Be In Life), Monet Portrayed The Changeability And Flux Of Every Moment. 'the Water Lilies' Give You A Jittery, Amorphous Sense Of A World Seen At The Speed Of Light.

I Love Rauschenberg. I Love That He Created A Turning Point In Visual History, That He Redefined The Idea Of Beauty, That He Combined Painting, Sculpture, Photography, And Everyday Life With Such Gall, And That He Was Interested In, As He Put It, 'the Ability To Conceive Failure As Progress.'

Biennial Culture Is Already Almost Irrelevant, Because So Many More People Are Providing So Many Better Opportunities For Artists To Exhibit Their Work.

Living And Working For Four Decades In A Bologna Apartment And Studio He Shared With His Unwed Sisters, Morandi Painted Little But Bottles, Boxes, Jars, And Vases. Yet Like That Of Chardin And The Underappreciated William Nicholson, Morandi's Work Seems To Slow Down Time And Show You Things You've Never Seen Before.