All The Copycat Movies Were

Quentin [tarantino] Called Me And Said: "yeah, You've Got To Be In My Movie. You've Got To Be In Death Proof." But He Made Me Audition. I Was Like: "dude, I Don't Even Want To Do This..." So I Left The Casting Of Hostel: Part Ii To Drive To Venice, Where Quentin Was Holding His Casting, And The Person Ahead Of Me Was Derek Richardson From Hostel 1 And He Was Like: "dude, What Are You Doing Here?" I Said: "don't Ask!"

Pulp Fiction Won The Palme D'or And People Said: "wait A Minute, He's Actually Smart And He Knows What He's Doing!" I Feel That With Hostel, Any Time You Make A Film Like That It's Going To Illicit A Strong Reaction And You Can't Worry About That.

I Think Characters Are Most Terrifying When They're Relatable. It's Best When Your Most Horrible Characters Make Sense, And Are Believable. That's When A Movie Is Most Terrifying.

I Always Say That No Matter What The Torture Is, Or The Tool Is, First Of All It's Nothing Worse Than What's Been Done Already And That Wasn't Done By The Church And The State For Over A Period Of 250 Years During The European Witch Trials.

A Comedy Can Actually Get Funnier And Funnier. Even Though You Know The Joke, You Enjoy It So Much, It's The Facial Expression, You Laugh. The Laugh Doesn't Wear Off. It Could Be With You For Thirty Years.