All My References Are 50

Once Again, I've Been Thwarted By The Massive Difference Between My Vision Of The Successful Me And The Me I'm Currently Stuck With.

The Thing I Don't Like On Television Is When Somebody Does Something That Makes Absolutely No Sense Just For The Shock Of It.

I Came From A Sorkin-like Project In The Sense That There Was No Freedom To Change A Line, Which, In A Weird Way, Is Its Own Freedom Because You're Living Within That Structure And Know This Is What It Is. You Just Adjust. Every Project Has Its Own Personality.

I'm Sure You've Felt This Way Along The Way: Yes, I Got To Do What I Wanted To Do. But It Was Much Harder Than I Thought It Was Going To Be, And It Continues To Be. You Never Get To A Place That Is A Place Of Rest. I Think That's Ok. It's Not Bad - Life Is Hard Work!

Over And Over In The Play My Character Says, "i'm Thirty-two Years Old," As If That Should Explain Everything That's Wrong In Her Life. I Don't Know What It's Like To Be Thirty-two, But I Can Imagine. I Imagine She Means She's Stuck In An In-between Time, She's At An Age That Isn't A Milestone But More Of A No-man's-land, An Age Where She's Feeling Like Her Hopes Are Fading.