All Bad Writers Are In

The Only Place Where You Could See Life And Death, I. E., Violent Death Now That The Wars Were Over, Was In The Bull Ring And I Wanted Very Much To Go To Spain Where I Could Study It. I Was Trying To Learn To Write, Commencing With The Simplest Things, And One Of The Simplest Things Of All And The Most Fundamental Is Violent Death.

I Was As Afraid As The Next Man In My Time And Maybe More So. But With The Years, Fear Had Come To Be Regarded As A Form Of Stupidity To Be Classed With Overdrafts, Acquiring A Venereal Disease Or Eating Candies. Fear Is A Child's Vice And While I Loved To Feel It Approach, As One Does With Any Vice, It Was Not For Grown Men And The Only Thing To Be Afraid Of Was The Presence Of True And Imminent Danger In A Form That You Should Be Aware Of And Not Be A Fool If You Were Responsible For Others.

In Going Where You Have To Go, And Doing What You Have To Do, And Seeing What You Have To See, You'll Dull And Blunt The Instrument You Write With. But I Would Rather Have It Bent And Dull And Know I Had To Put It To The Grindstone Again And Hammer It Into Shape And Put A Whetstone To It, And Know That I Had Something To Write About, Than To Have It Bright And Shining And Nothing To Say, Or Smooth And Well-oiled In The Closet, But Unused.

No Good Book Has Ever Been Written That Has In It Symbols Arrived At Beforehand And Stuck In. ... I Tried To Make A Real Old Man, A Real Boy, A Real Sea And A Real Fish And Real Sharks. But If I Made Them Good And True Enough They Would Mean Many Things

I Would Walk Along The Quais When I Had Finished Work Or When I Was Trying To Think Something Out. It Was Easier To Think If I Was Walking And Doing Something Or Seeing People Doing Something That They Understood.