A Corner Is Important. It

What You See Is So Much Less Than What You Get.

Here Is A Children's Film Made For The World We Should Live In, Rather Than The One We Occupy. A Film With No Villains. No Fight Scenes. No Evil Adults. No Fighting Between The Two Kids. No Scary Monsters. No Darkness Before The Dawn. A World That Is Benign. A World Where If You Meet A Strange Towering Creature In The Forest, You Curl Up On Its Tummy And Have A Nap.

Your Intellect May Be Confused, But Your Emotions Will Never Lie To You.

The Genius Is Not In How Much Stanley Kubrick Does In “2001: A Space Odyssey,'' But In How Little. This Is The Work Of An Artist So Sublimely Confident That He Doesn't Include A Single Shot Simply To Keep Our Attention. He Reduces Each Scene To Its Essence, And Leaves It On Screen Long Enough For Us To Contemplate It, To Inhabit It In Our Imaginations. Alone Among Science-fiction Movies, “2001'' Is Not Concerned With Thrilling Us, But With Inspiring Our Awe.

I've Been Around A Long Time, And Young Men, If There Is One Thing I Know, It Is That The Only Way To Kiss A Girl For The First Time Is To Look Like You Want To And Intend Do, And Move In Fast Enough To Seem Eager But Slow Enough To Give Her A Chance To Say "so Anyway ..." And Look Up As If She's Trying To Remember Your Name.