Space, And Space Again, Is

Colour, As The Strange And Magnificent Expression Of The Inscrutable Spectrum Of Eternity, Is Beautiful And Important To Me As A Painter; I Use It To Enrich The Canvas And To Probe More Deeply Into The Object. Colour Also Decided, To A Certain Extent, My Spiritual Outlook, But It Is Subordinated To Life, And Above All, To The Treatment Of Form. Too Much Emphasis On Colour At The Expense Of Form And Space Would Make A Double Manifestation Of Itself On The Canvas, And This Would Verge On Craft Work.

I Passed Blindly Many Things Which Belong To Real And Political Life.

One Thing Is Sure - We Have To Transform The Three-dimensional World Of Objects Into The Two-dimensional World Of The Canvas.. ..to Transform Three Into Two Dimensions Is For Me An Experience Full Of Magic In Which I Glimpse For A Moment That Fourth Dimension Which My Whole Being Is Seeking.

As A Painter, Cursed Or Blessed With A Terrible And Vital Sensuousness, I Must Look For Wisdom With My Eyes. I Repeat, With My Eyes, For Nothing Could Be More Ridiculous Or Irrelevant Than A 'philosophical Conception Painted Purely Intellectually Without The Terrible Fury Of The Senses Grasping Each Visible Form Of Beauty And Ugliness.

What I Want To Show In My Work Is The Idea Which Hides Itself Behind So-called Reality. I Am Seeking For The Bridge Which Leans From The Visible To The Invisible Through Reality. It May Sound Paradoxical, But It Is In Fact Reality Which Forms The Mystery Of Our Existence.